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<channel>
	<title>How A House Works</title>
	<link>https://ciamama.cargo.site</link>
	<description>How A House Works</description>
	<pubDate>Fri, 17 Jan 2020 19:07:30 +0000</pubDate>
	<generator>https://ciamama.cargo.site</generator>
	<language>en</language>
	
		
	<item>
		<title>Menu</title>
				
		<link>https://ciamama.cargo.site/Menu</link>

		<pubDate>Mon, 16 Dec 2019 02:38:20 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Menu</guid>

		<description>
	

	C.I.A.MAMA
	ALIX BROWNE 
THIS HOUSE IS YOU

	
	

THE CANS AND THE TRACKS AND THE DIMMERS 
AND THE SWITCHES

	

	DOES THIS HOUSE LIKE ME?
	
CAN WE GET TOGETHER 
AT YOUR PLACE?

	

	
	
NOTES ON MINI-REZ #1—VERONICA OCTOBER 29 2019
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Archive</title>
				
		<link>https://ciamama.cargo.site/Archive</link>

		<pubDate>Fri, 17 Jan 2020 19:07:30 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Archive</guid>

		<description>
CIAMAMA domestic design archive 

with special thanks to my old friend from art school, Dr. Nicolas Maffei, who read an early draft of the document and made invaluable suggestions for further research and design. Also special thanks to Don Mullins, who’s shared his immense knowledge and collection of 19th century furnishings with me over the years. And to Lope Gutiérrez-Ruiz and Michu Benaim Steiner for workshopping an early version of the project.



Edith Wharton - The Decoration of Houses


Charles Eastlake - Hints on Household Taste


Elsie de Wolfe - The House in Good Taste


Russel and Mary Wright - Guide to Easier Living

Grace Lees Maffei - Design at Home for Routledge


Clarence Cook - What Shall We Do With Our Walls?


Vincent Scully - The Shingle Style Today: Or the Historian’s Revenge -


Christopher Alexander - A Pattern Launguage


Robert Venturi - Complexity and Contradiction in Architecture



	Denise Scott Brown, Robert Venturi, and Steven Izenour - Learning from Las Vegas



Tom Wolfe - From Bauhaus to Our House


John Kennedy Toole - A Confederacy of Dunces


Vincent Scully - The Shingle Style and the Stick Style


Charles Moore and Kent Bloomer Body, Memory, and Architecture


Kazuko Sato - Alchemia


Joseph Hotlzman - Nest Magazine





NY Times - T magazine


Conde Nast - World of Interiors Magazine


Raymond Loewy's MAYA (Most Advanced Yet Acceptable)


Otto Neuraths' ISOTYPE (International System of TYPographic Education)?︎ Go Back

</description>
		
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	<item>
		<title>Images</title>
				
		<link>https://ciamama.cargo.site/Images</link>

		<pubDate>Sun, 05 Jan 2020 18:01:02 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

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ENTER

</description>
		
	</item>
		
		
	<item>
		<title>CIA Title</title>
				
		<link>https://ciamama.cargo.site/CIA-Title</link>

		<pubDate>Fri, 17 Jan 2020 06:06:54 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/CIA-Title</guid>

		<description>

C.I.A.MAMA 
The Center for the Identification
of Architectural Micro-Aggressions,
Molestations, and Assailments



</description>
		
	</item>
		
		
	<item>
		<title>Part 1</title>
				
		<link>https://ciamama.cargo.site/Part-1</link>

		<pubDate>Mon, 06 Jan 2020 04:07:06 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Part-1</guid>

		<description>No
matter how large your drawing-room may be, keep it intimate in spirit. There
should be a dozen conversation centers in a large room.There should be one or
more sofas, with comfortable chairs pulled up beside them. No one chair should
be isolated, for some bashful person who doesn’t talk well anyway is sure to
take the most remote chair and make herself miserable. I have seen a shy young
woman completely changed because she happened to sit upon a certain deep
cushion sofa of rose-colored damask. Whether it was the rose color, or the
enforced relaxation the sofa induced, or the proximity of some very charming
people in comfortable chairs beside her, or all of these things – I don’t know!
But she found herself. She found herself gay and happy and unafraid. I am sure
her personality flowered from that hour on. If she had been left to herself she
would have taken a stiff chair in a far corner, and she would have been
miserable and self-conscious. I believe most firmly in the magic power of
inanimate objects!



 
The
House in Good Taste - Elsie de Wolfe</description>
		
	</item>
		
		
	<item>
		<title>Part 2</title>
				
		<link>https://ciamama.cargo.site/Part-2</link>

		<pubDate>Mon, 06 Jan 2020 03:48:21 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Part-2</guid>

		<description>
Do you live in a 
 civilized home
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/bc6c303cbad46f184821aad8425df69dc614c132363c1a2c842b09ac3f5c0193/thumb_IMG_4442_1024.jpg" data-mid="57802455" border="0"  src="https://freight.cargo.site/w/1000/i/bc6c303cbad46f184821aad8425df69dc614c132363c1a2c842b09ac3f5c0193/thumb_IMG_4442_1024.jpg" /&#62; 
 Need a house whisperer? Tired of
the same-ole Feng Shui charlatans? Please consider C.I.A.MAMA - a fully-licensed
design consultancy concerning the identification of architectural micro-aggressions, molestations, and assailments; those little domestic faux pas
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/cde68fa7ad15bf35f88c91b7eb2bdc4e18f226b45847336f7d5b4934397896ab/thumb_IMG_3658_1024.jpg" data-mid="59814852" border="0"  src="https://freight.cargo.site/w/1000/i/cde68fa7ad15bf35f88c91b7eb2bdc4e18f226b45847336f7d5b4934397896ab/thumb_IMG_3658_1024.jpg" /&#62; 
 that developed along the way, that have gone overlooked,
or were simply shoved under the rug. My concern will flesh
out and identify a list of problem areas, and at the end of my residency
make suggestions for solutions to these nasty transgressions.
I will administer to you, dear homeowner, recommendation
of an outline of forward-looking occupation, heightened
awareness, and everyday tools for advanced living. Typically
the process culminates with a half-day workshop in the client’s
home.

</description>
		
	</item>
		
		
	<item>
		<title>Entry</title>
				
		<link>https://ciamama.cargo.site/Entry</link>

		<pubDate>Tue, 14 Jan 2020 12:01:46 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Entry</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Part 2 copy</title>
				
		<link>https://ciamama.cargo.site/Part-2-copy</link>

		<pubDate>Tue, 14 Jan 2020 12:04:09 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Part-2-copy</guid>

		<description>
How Does it Work?


 
The identification
process is assisted by an uncanny sensitivity to problematic domestic
situations through a number of proprietary techniques,
key among them is a process I call the “insecurity of dislocation.”&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/071788995318a54b4434cee6933b276ed33588c2c3751d74fd00807edd9604f0/thumb_IMG_4374_1024.jpg" data-mid="58474997" border="0"  src="https://freight.cargo.site/w/1000/i/071788995318a54b4434cee6933b276ed33588c2c3751d74fd00807edd9604f0/thumb_IMG_4374_1024.jpg" /&#62; Over the past 30 years of my professional life I have been invited to hundreds of residencies, and have lived, for short periods
of time, in many different types of domestic structures...from humble,
hand-made sheds to extraordinary châteaux. Typically, during the
first few days of dislocation, in this state of heightened awareness, I am
ultra sensitive to my physical surroundings. I am able to identify specific aberrations&#60;img width="1024" height="783" width_o="1024" height_o="783" data-src="https://freight.cargo.site/t/original/i/c86b9acb1831e27223b010fcbcbbb3230e7e2dfc3c5181c4308c4b247c2f066a/thumb_E1F9DBDE-3E27-4813-AC52-3357721C4ECD_1024.jpg" data-mid="58475019" border="0"  src="https://freight.cargo.site/w/1000/i/c86b9acb1831e27223b010fcbcbbb3230e7e2dfc3c5181c4308c4b247c2f066a/thumb_E1F9DBDE-3E27-4813-AC52-3357721C4ECD_1024.jpg" /&#62;, both of the spatial and chattel categories.


 For
example, your favorite comfy chair may be situated as such, encroaching
upon a preferred thruway, and if adjusted as recommended,
will provide improved traffic flow to you and your guests.
Often a refrigerator door, with the simple operation of switching
the hinge location, will open up to your kitchen triangle in a more
excellent manner! Possibly, your faithful architect has specified a handsome,
yet dysfunctional handle upon the cupboard, that places an
ever-so-slight undue pressure on the inserted fingers. You may not even
notice these micro-aggressions, but I will! The identification and correction
of these simple design flaws will fall into the category of Small, or Medium.
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/b3bfd183bcb00ab6e832583f1096c62c45caab69914969cdca7edbde92c6bfdf/thumb_IMG_4325_1024.jpg" data-mid="59814926" border="0"  src="https://freight.cargo.site/w/1000/i/b3bfd183bcb00ab6e832583f1096c62c45caab69914969cdca7edbde92c6bfdf/thumb_IMG_4325_1024.jpg" /&#62; A more involved operation,
such as the total rearrangement
of furniture within a room, removal or addition of walls, or
possibly the relocation of a staircase would be under the Large
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/0269777cfe85a2f66ee27949b0e8fc7102b42e615d4665a1bed27cd25b2fa3fc/thumb_IMG_3836_1024.jpg" data-mid="58475017" border="0"  src="https://freight.cargo.site/w/1000/i/0269777cfe85a2f66ee27949b0e8fc7102b42e615d4665a1bed27cd25b2fa3fc/thumb_IMG_3836_1024.jpg" /&#62; category.
Only upon very rare occasions would I identify the need for major
structural changes, such as the addition of a wing, or possibly a relocation / reconstruction
of a primary egress, although this is definitely within
my purview. Rethinking key architectural elements may seem to
be an exaggeration of the Department of Micro-Aggressions, but please
be reassured that it is not the size of the project, but the effect they
have upon our psyche. These we will call X-Large.&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e08d9006fb124a104f09521f21cade2709fe3b6fb159781968b92d8e2aff3ea5/thumb_IMG_2119_1024.jpg" data-mid="58475003" border="0"  src="https://freight.cargo.site/w/768/i/e08d9006fb124a104f09521f21cade2709fe3b6fb159781968b92d8e2aff3ea5/thumb_IMG_2119_1024.jpg" /&#62;




 Gentle
reader, let me now say to you...the effects of an unordered house
may seem insignificant, but I am confident to inform you that these
repeated domestic molestations will in time, add up to adverse affects
in our pursuit of a civilized home! 
</description>
		
	</item>
		
		
	<item>
		<title>Part 3</title>
				
		<link>https://ciamama.cargo.site/Part-3</link>

		<pubDate>Mon, 06 Jan 2020 04:08:38 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Part-3</guid>

		<description>And you
may ask yourself


How do I
work this?


And you
may ask yourself


Where is
that large automobile?


And you
may tell yourself


This is
not my beautiful house!


And you
may tell yourself


This is
not my beautiful wife!



 
	
	Once in
a Lifetime -Brian Eno / Christopher Frantz / David Byrne / Jerry
Harrison / Tina Weymouth Once in a Lifetime lyrics © Warner/Chappell Music, Inc, Universal Music Publishing Group
	
</description>
		
	</item>
		
		
	<item>
		<title>Part 4</title>
				
		<link>https://ciamama.cargo.site/Part-4</link>

		<pubDate>Mon, 06 Jan 2020 07:49:24 +0000</pubDate>

		<dc:creator>How A House Works</dc:creator>

		<guid isPermaLink="true">https://ciamama.cargo.site/Part-4</guid>

		<description>




Why do they Exist?


 

Constructing
a micro-aggression-free home is not easy. The experts certainly
have tools and talent and certainly get us to a very close approximation
of the house in good taste. If they fall short, it is not due
to their lack of ability or skills but rather, typically, the result of necessary
relationships that develop between architect/designer and client.
Often these relationships tend to evolve more in the direction of the
therapist, as we all understand how agonizing this business of constructing
our surroundings has become. In my opinion, the finishing
touches are often overlooked&#60;img width="1024" height="799" width_o="1024" height_o="799" data-src="https://freight.cargo.site/t/original/i/0da0fe3b8f673567ce00e3c1c642a54a4b7353d60da24469867bc9bb7414de0d/thumb_IMG_4375_1024.jpg" data-mid="57831732" border="0"  src="https://freight.cargo.site/w/1000/i/0da0fe3b8f673567ce00e3c1c642a54a4b7353d60da24469867bc9bb7414de0d/thumb_IMG_4375_1024.jpg" /&#62; due to the inability to understand
the importance of “real, lived experience”. Our architect very
rarely spends a night in these homes. Even if this happens, I would
argue that it takes place toward the end of the relationship, after the
experts have spent many months focusing on every detail, and their
minds are muddied. There’s too much at stake during the final weeks
of completion. There is too much pressure to notice, and then pursue
the correction of a possible micro-aggression. 

Fresh eyes
&#60;img width="1078" height="729" width_o="1078" height_o="729" data-src="https://freight.cargo.site/t/original/i/0ccaa3807d394afa077d0bf85fb3c6c8dd791e39777f33882a8af213ed522141/thumb_IMG_4258_1024.jpg" data-mid="59814978" border="0"  src="https://freight.cargo.site/w/1000/i/0ccaa3807d394afa077d0bf85fb3c6c8dd791e39777f33882a8af213ed522141/thumb_IMG_4258_1024.jpg" /&#62;

are needed!</description>
		
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